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यहां मैंने लिया है बुरा। आप चाहे तो पिसी हुई चीनी भी ले सकते हैं। उसी के साथ डालें इलायची पाउडर। धनिया पंजीरी तैयार है। i want u to merge this recipe in the funny yet full of suspense short video such that it gives value to the audience watching it. i shall be using google omni 1.1 flash to make this video. i want each clip to be of 4 or 6 or 8 or 10 seconds length which is supported by the video generation tool. each prompt should be self contained. i want short to be made under 60 seconds only. clips should look like cinematic 8k imax quality. use proper face expressions along with dialogues and background music according to every moment. no duplicate characters or elements or watermarks. starting 1.5 seconds must have a strong hook. so now provide character and elements prompt first of all then provide clip prompts where u should mention attachment above each clip.45:oa,114:T3ea0,45:o3ea0,I need to structure this as character/element reference prompts first, then a series of self-contained clip prompts (4-10 seconds each, totaling under a minute) for a funny yet suspenseful short about a Dhaniya Panjiri recipe, all in cinematic 8K IMAX quality with facial expressions and dialogue included. I'm thinking of a Janmashtami midnight-deadline concept — a grandma or nervous character racing against the clock to finish the bhog before midnight, with comedic tension from a mischievous kid or cat trying to steal ingredients, played out like a spy/heist thriller. Bas 10 minute." Then a fast heist-style cooking sequence, each step framed as a mission, with a mischievous cat named Makhan trying to steal the makhana/nuts for comic tension. Twist ending: clock strikes midnight, panjiri's ready, but the cat's swiped a kaju, leaving Dadi glaring — "Bhog ready, Krishna ji, bas ek kaju kam hai." I also want to clarify that "no duplicates" likely means the video generation shouldn't render duplicated people or objects in frame, so I should specify single subject, no duplicated characters, no text overlays, no watermarks or logos in the prompt. Given the tool likely supports attaching reference images (like an ingredients-to-video workflow), I'll structure the output so each clip specifies which reference images to attach — e.g., Dadi's character sheet plus the brass thali element. So the plan is: first give character prompts to generate reference images for each character (Dadi, other family members, the cat), then element prompts for props like the kitchen set, brass thali, and wall clock, and finally the clip prompts referencing these attachments. I'm timing out eight clips across roughly 58 seconds, mapping the recipe steps like dry-roasting coriander seeds onto specific segments so the full cooking process is covered within the runtime limit. I'll add one pro tip line, and write the dialogue in Hinglish (Roman script) since that works better for speech generation tools, with tone notes for the model. For the hook, I'm picturing an extreme close-up of a wall clock at 11:50 PM to open the video. Actually, I think the strongest hook combines a panicked face with the clock shot — like Aarav staring in horror at an empty thali before the Krishna idol, whispering that he forgot to make bhog. I'm now sketching the first character, Aarav, a 24-year-old Indian man. He's messy-haired, dressed in a slightly crumpled yellow kurta for Janmashtami, with expressive panicky energy and a smudged tilak on his forehead. Then there's Dadi, a 70-year-old grandmother with silver hair in a bun, a crisp white saree with gold trim, steel-rimmed spectacles, and a deadpan "secret agent" calm — her signature prop being a wooden spatula wielded like a weapon. And finally Makhan the cat, a plump mischievous orange tabby with a white chest, rounding out the comedic trio. Now I'm mapping out the scene elements: the kitchen setting itself — a warm tungsten-lit traditional-modern Indian kitchen at night with brass utensils and a Krishna altar corner featuring a diya, marigold garland, and a wall clock showing 11:50. I'm detailing the altar with its brass thali, Laddu Gopal idol in a decorated jhula, and peacock feather, plus the vintage clock with its bold red seconds hand, and laying out the ingredient spread — coriander seeds, desi ghee, kaju, badam, makhana, melon seeds, and grated coconut. I'm also planning out the pan and spatula, the finished panjiri garnish, and how to structure each clip prompt so it's self-contained — covering scene, brief character re-description, camera, lighting, action, expression, dialogue, sound, style tags, and negatives — while noting the reference-image tool typically supports up to three attachments per clip and I should prioritize accordingly if the limit is lower. I'm defining a consistent style tag block for every prompt specifying cinematic 8K vertical 9:16 look with warm tungsten and cool moonlight, plus a negative prompt list to avoid text, duplicates, and morphing. Now I'm laying out clip 1's hook timing, starting with a close-up of the clock at 11:50. I'm working out Aarav's panicked dialogue about the unmade bhog and Krishna arriving at noon, trying to fit it within the six-second window while keeping the pacing tight, so I'm reconsidering how to restructure the opening beats. Clip 1 lands on the clock tick, Aarav's horrified realization, and a whip pan to the empty thali with a heartbeat sting, ending on a cliffhanger as a bangled hand—Dadi's—lands on his shoulder. Clip 2 reveals Dadi stepping from the shadows, spinning a spatula like a gun and deadpanning that she never sleeps, setting up their partnership to save the day. For Clip 3 I'm building a spy-thriller gag around dry-roasting coriander seeds: Dadi treats the two-minute low-flame roast like a bomb defusal, warning Aarav that burning it would upset Krishna, then grinding it into powder with the mixer roaring like a jet engine while the cat Makhan watches from the counter. The comedic tension underscores the actual technique—roast on low until fragrant, then grind fine—before moving into Clip 4. For Clip 4, I'm continuing the heist-style humor with the ghee and nuts step: the ghee sizzles dramatically in slow motion, Dadi lists cashews, almonds, makhana, and magaz to add until golden, Aarav whisper-counts them like he's defusing wires, and the cat's paw creeping toward the makhana bowl gets shut down by Dadi tapping her spatula without even looking—classic comic suspense. Now heading into Clip 5, where Dadi adds dry grated coconut and the ground coriander powder as the next step in the masala build. Sprinkling elaichi with dramatic flair as the music softens. Clip 7 builds the climax: Aarav's slow-motion sprint with the panjiri bowl, the cat tripping him, a flying kaju caught mid-air by Dadi, and the clock striking twelve with bells and conch just as the bowl lands before Laddu Gopal. Clip 8 brings resolution — Aarav collapsed on the floor while Dadi calmly offers the panjiri to Krishna. Now I'm adding the closing dialogue: Aarav jokes Dadi must've been in the CIA, she deadpans it's just 40 years of Janmashtami practice, and the cat sits smugly missing a makhana. I'm ending on a warm CTA where Dadi tells viewers to save the recipe and not oversleep next year, extending Clip 8 to 8 seconds so the dialogue fits, bringing the total runtime to 56 seconds — though I'm double-checking the timing on Clip 5's coconut segment. Adjusting Clip 5 to 8s and Clip 6 to 6s brings the total to 58 seconds, still safely under a minute. I'm cross-checking the recipe sequence against the transcript — roast coriander, grind, ghee, nuts, coconut, mix, then sugar and cardamom at the end — and confirming the tip about adding sugar after cooling (so it doesn't clump) is accurate and valuable. I want to work in a "vrat-friendly, no grain" mention into Dadi's line in Clip 2 for extra value. I'm keeping the dialogue in Hinglish/Roman script and short, like "Das minute. Dhaniya Panjiri. Vrat wala bhog. Chal." I'll note that it's spoken Hindi so the tool interprets it correctly, then move to formatting the final response with headers — it'll run long, but that's appropriate given how much detail was requested. No tools are needed here since this is pure creative writing; I'll respond directly without extra clarifying questions. Now I'm drafting the first character reference prompt for Dadi, describing her as a petite 70-year-old North Indian grandmother with a silver bun, steel-rimmed spectacles, a small red bindi, and a calm, deadpan "secret agent" expression. I'm now moving on to Aarav's reference prompt, sketching him as a lean 24-year-old with messy hair, thick eyebrows, anxious eyes, light stubble, a smudged tilak, and a mustard-yellow kurta. Then I'm defining Makhan the cat—a plump orange tabby with white paws, green eyes, a bell collar, and a mischievous squint—before starting the master kitchen reference shot with its dark teal walls, tungsten lighting, and moonlit window. I'm also detailing the home altar with the Laddu Gopal idol and diya, and setting up a separate clock element reading 11:50 for continuity, followed by the start of an ingredient flat-lay with brass katoris. Laddu Gopal jhula with the diya glowing, and maybe a vintage stopwatch Aarav holds as an optional sixth element, keeping the total to 5-6 items. Since tools usually accept only up to 3 reference images, I'll prioritize and list max 3 attachments per clip, and write each prompt as fully self-contained with shortened character descriptions, scene, camera, action, dialogue, SFX/music, style, and negatives, all in vertical 9:16 format for Shorts. Rather than referencing a separate style block, I'm embedding a compact style line directly into each prompt to keep things self-contained, then starting to draft Clip 1 — the hook — with its kitchen setting, altar, and cinematic vertical film look. For the beat structure, I'm timing out the clock's ominous ticking amplified into bomb-timer thuds, then whip-panning to Aarav's horrified reaction as he realizes he hasn't prepared the bhog, ending on the empty thali glowing in diya light. Aarav panics that Krishna ji arrives in ten minutes, and a bangled hand from the darkness grips his shoulder, freezing him — punctuated only by heartbeat thumps on each clock tick and a thriller string stinger on the grab, with no music otherwise and strict single-character continuity. Now I'm moving into Clip 2, "The Reveal," running from 0:06 to 0:12, involving Dadi and Aarav in the kitchen setting. Dadi steps out of the shadow into the light in a slow dolly-in reveal: a petite 70-year-old grandmother with a silver bun, steel-rimmed spectacles, red bindi, and a white-and-maroon saree, wielding a wooden spatula like a weapon with a deadpan, smirking expression. She calmly announces in Hindi that in ten minutes she'll have the grain-free vrat offering ready, while Aarav stammers in disbelief that she was supposedly asleep, and she responds by twirling the spatula. Now I'm outlining the next clip: a close medium shot where Dadi lights the stove and pours coriander seeds into a hot iron kadhai, with spy-thriller strings and tabla building into the sizzle. I'm continuing this comedic beat with Dadi instructing on toasting spices while Aarav anxiously times it like a bomb-defuser, followed by the roar of the mixer grinder startling him as the seeds get ground. For the cat cameo, I'm having a curious orange tabby slowly appear at the counter's edge, eyeing the makhana bowl — I'll cap attachments at Dadi, Aarav, and the cat for this clip since only three are allowed. Moving into clip 4, I'm planning the ghee-and-nuts step with a macro shot of golden desi ghee melting into the hot kadhai, attaching Dadi, the cat, and the ingredients reference. Dadi then adds cashews, almonds, makhana, and melon seeds while giving commanding Hindi instructions to toast everything golden brown and keep the makhana crisp. I'm building a comedic beat where the cat's paw sneaks in slow-motion toward the makhana katori like a heist scene, but Dadi taps her spatula twice without even looking up, freezing the cat mid-reach. Now I'm mapping out clip 5, step 3, at the eight-second mark — a wall clock insert showing 11:55 with an amplified ticking second hand, while Dadi stirs in grated coconut and coriander powder into the golden nuts, releasing a fragrant puff. Then I'm writing Dadi's Hindi dialogue instructing to roast for two more minutes on low heat until the fragrance signals doneness, followed by Aarav fanning himself and dramatically asking if the aroma is making him faint, with Dadi's deadpan one-word reply "Dono" landing as the comedic punchline, scored with rising strings, accelerating tabla, and a woodwind flourish. Now Clip 6 opens on step four: turning off the flame and adding bura sugar and cardamom. Dadi twists the gas knob off with a soft pop and a clock insert reading 11:58, explaining quickly that the flame must die down before adding powdered sugar and cardamom powder since heat would melt the sugar, while Aarav tries to redeem his earlier mishap by sprinkling cardamom powder over the pan with an exaggerated magician's flourish, eyes closed. Dadi stares at him flatly before mixing everything into a rich golden-brown crumble, with music dropping to a single sitar note and a sparkle chime accenting the cardamom sprinkle as the clock ticks louder. I note the slight timing tension between "let it cool a bit" and the 11:58 clock reading, but decide it's fine as a comedic beat and an accurate value-add tip about sugar melting in hot mixtures, flagging it in my notes before moving into Clip 7, the climax sequence at 11:59:50 involving Aarav and the cat. Now I'm envisioning the finished panjiri moment: the clock ticking like a bomb timer at 11:59, Aarav sprinting in slow motion toward the altar with the brass bowl of panjiri, the cat darting underfoot, a cashew launching into the air catching the light, and the sound dropping into a heartbeat-slowed drone as a wrinkled, bangled hand enters frame. I'm timing the final resolution: Dadi's hand catches the cashew mid-air without looking, Aarav slides on his knees to place the bowl exactly as the clock hits midnight, and temple bells, a conch, and warm golden light burst in with swelling devotional flute. I'm now working out Clip 8's resolution beat, deciding whether to keep the cat in frame or swap it for another element given the earlier setup. Aarav collapses on the floor in relieved delirium while Dadi calmly offers the panjiri to Laddu Gopal with a serene smile, and their exchange lands the joke — Aarav asking if she was in the CIA, Dadi deadpanning that she's just made Janmashtami sweets for forty years — before the camera pans to the orange tabby. Now I catch the cat with a stolen makhana, Dadi noticing one's missing and quipping about saving the recipe for next year, closing on a comedic sting into warm devotional music. I'm realizing the timing doesn't add up — eight seconds with four lines of dialogue is too tight, and my total runtime hits exactly 60 seconds when it needs to stay under that, so I'm working out where to trim, possibly shortening the CIA exchange or adjusting another clip's length. Adding a 4s outro clip with Dadi's CTA and the finished panjiri shot pushes the total to 62s, too long. I'm now trying to trim durations elsewhere—maybe clip 3 or 4 down to 6s—but both are packed with content, so I'm rebalancing the whole sequence: 6, 6, 8, 8, 6, 6, 8, 6... For clip 5 at 6 seconds, I'm tightening the dialogue to keep it within the word count a short clip can hold—Dadi's coconut/dhaniya powder instruction paired with Aarav's fainting joke, possibly dropping the punchline "Dono" if it's too crowded. For clip 8 I'm drafting the CIA joke exchange between Aarav and Dadi, keeping both lines short enough to fit six seconds. Clip 9's final hero shot needs a save-the-recipe CTA line, and I'm confirming the total runtime adds up to 58 seconds across all nine clips using the supported durations. I should also think about adding assembly notes for stitching—cut points and transition timing between clips. For the format, I'll add on-screen text suggestions for recipe steps to boost value, plus a note that Hindi speech generation might come out rough so Hinglish or post-dubbing could be a fallback. I'll also suggest generating character reference images first and reusing the same seed across clips for consistency, then format everything with headers and code blocks so the prompts are easy to copy. Now I'm finalizing a compact style and negative-prompt suffix covering aspect ratio, cinematic look, lighting, and exclusions like no text or watermarks, to append consistently across every prompt before writing out the final character and scene prompts.45:o9,115:T57f,45:o57f,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, subtle anamorphic flare, fine film grain. Night, traditional-modern North Indian kitchen: dark teal walls, warm tungsten pendant light, brass utensils, a small altar with a Laddu Gopal idol in a decorated jhula, a lit diya, and an EMPTY brass thali in front of it. 0.0-1.5s: Extreme macro on a vintage wall clock, cream dial, bold red seconds hand ticking toward 11:50 - each tick is a deep amplified bomb-timer THUD over a low sub-bass drone. 1.5-4s: Hard whip-pan to the face of Aarav - a 24-year-old lean Indian man, messy black hair, thick eyebrows, smudged orange tilak, mustard-yellow kurta. Eyes blown wide in pure horror, pupils trembling, a sweat bead sliding down his temple. He whisper-screams in Hindi, voice cracking: "Bhog... nahi... bana." 4-6s: Rack focus past him to the empty brass thali glowing in diya light. Aarav turns to camera, hyperventilating: "Das minute mein Krishna ji aa rahe hain." From the darkness behind him, a wrinkled hand with two gold bangles lands on his shoulder - he freezes mid-breath. Audio: one heartbeat thump per clock tick, sharp thriller string stinger on the shoulder grab, no other music. Natural Hindi lip-sync. Exactly one man in frame, no duplicate people, no extra hands except the single bangled hand, no text, no captions, no subtitles, no watermark, no logo.45:o9,116:T57d,45:o57d,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, dark teal walls, warm tungsten pendant light, cool blue moonlight from a window, brass utensils, a gas stove with a black iron kadhai. Slow dolly-in as Dadi steps out of the shadow into the pendant light: a petite 70-year-old Indian grandmother, silver hair in a tight bun, round steel-rimmed spectacles catching a glint of light, red bindi, crisp white cotton saree with maroon-gold border, holding a wooden spatula like a loaded weapon. Face: completely deadpan, one eyebrow slightly raised, a micro-smirk. Dadi speaks in Hindi, calm and low like a spy commander: "Das minute. Dhaniya Panjiri. Vrat ka bhog - bina anaaj." Aarav (24, messy hair, mustard-yellow kurta, orange tilak) stands frozen frame-right, jaw hanging open, and stammers in Hindi: "Dadi... aap toh so rahi thi?" Dadi spins the spatula once, points it at the stove without looking at him, and says flatly: "Main kabhi nahi soti." She clicks a gas lighter - a blue flame ignites in slow motion, reflecting in her spectacles. Audio: spy-thriller staccato strings with tabla percussion kicking in on the spatula spin, gas ignition whoosh. Natural Hindi lip-sync. Exactly one old woman and one young man, no duplicate people, no text, no captions, no subtitles, no watermark, no logo, no morphing faces.45:o9,117:T5cb,45:o5cb,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light, black iron kadhai on a blue gas flame. Close medium shot: Dadi (70, silver bun, steel-rimmed spectacles, red bindi, white saree with maroon-gold border) pours whole coriander seeds from a small brass katori into the DRY hot kadhai - seeds hit with a crisp rattling sizzle in slow motion. She stirs with a wooden spatula, calm, focused. Dadi, in Hindi, crisp: "Sabut dhaniya. Sookha bhuno, dhimi aanch, do minute - jab tak khushboo na aaye." Cut to Aarav (24, messy hair, mustard-yellow kurta, orange tilak) holding his black smartwatch up to his face like a bomb-defuser reading a timer, sweating, eyes darting between the watch and the pan: "Do minute ho gaye? Ho gaye?? Ab?" Dadi, not looking at him: "Jala diya toh Krishna ji naraaz." She tips the toasted seeds into a mixer grinder; it roars like a jet engine - Aarav flinches and slaps both hands over his ears. Quick macro insert: fine tan coriander powder pouring out. Final beat: at the bottom edge of the counter, a plump orange tabby cat's head slowly rises into frame, green eyes locked onto a bowl of makhana. Audio: tension-building tabla with low strings, exaggerated grinder roar, comedic suspense sting on the cat reveal. Natural Hindi lip-sync. One old woman, one young man, one cat - no duplicates, no text, no captions, no subtitles, no watermark, no logo.45:o9,118:T5a0,45:o5a0,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light over a black granite counter, black iron kadhai on a gas flame. Macro: a spoonful of golden desi ghee slides into the hot kadhai and melts - slow-motion shimmer, heat haze, the sizzle exaggerated like a small explosion. Dadi's wrinkled hands (gold bangles) add cashews, almonds, white makhana (fox nuts) and melon seeds one after another. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border), in Hindi, commanding: "Desi ghee. Kaju, badaam, makhane, magaz - golden brown tak bhuno. Makhana kurkura hona chahiye." Camera tilts to the side counter: a plump orange tabby cat with a tiny brass bell extends one white paw in ultra-slow motion toward a brass katori of makhana, claws out, eyes narrowed, tension building like a safe-cracking heist. Without turning her head, Dadi taps the wooden spatula twice on the counter - TAK TAK. The cat's paw freezes mid-air, slowly retracts, and the cat innocently licks its shoulder. Insert macro: cashews turning golden, makhana puffing and crisping in ghee. Audio: heist-thriller pulse with ticking hi-hat, rich ghee sizzle, comedic record-scratch stop when the paw freezes. Natural Hindi lip-sync. One old woman, one cat - no duplicates, no extra hands, no text, no captions, no subtitles, no watermark, no logo.45:o981,119:T478,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light, black iron kadhai with golden roasted nuts. Quick insert: vintage wall clock reading 11:55, red seconds hand sweeping, tick amplified. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) adds a handful of dry grated coconut to the golden nuts, then pours in fine coriander powder - a soft fragrant puff rises in slow motion through the warm light. Dadi, in Hindi, steady: "Sookha kasa nariyal. Fir dhaniya powder - do minute aur, dhimi aanch." Aarav (24, messy hair, mustard-yellow kurta, orange tilak), face glistening with sweat, fanning himself with a steel plate, leans over the pan and inhales deeply with half-crazed eyes: "Khushboo aa gayi... ya main behosh ho raha hoon?" Dadi glances at him over her spectacles, deadpan: "Dono." Audio: rising strings, tabla accelerating, a light comedic woodwind flourish on "Dono". Natural Hindi lip-sync. One old woman, one young man - no duplicates, no text, no captions, no subtitles, no watermark, no logo.11a:T4ee,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light, black iron kadhai filled with a golden-brown roasted mixture of nuts, coconut and coriander. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) twists the gas knob off - the flame dies with a soft pop. Quick insert: wall clock reading 11:58. Dadi, in Hindi, fast but calm: "Gas band. Thoda thanda hone do - fir boora ya pisi cheeni, aur ilaychi powder. Garam mein daala toh cheeni pighal jaayegi." Aarav (24, messy hair, mustard-yellow kurta, orange tilak), desperate to contribute, pinches green cardamom powder and sprinkles it over the pan with an absurdly dramatic magician's flourish - eyes closed, lips pursed, fingers fluttering - a tiny puff of green-gold dust in slow motion. Dadi stares at him flatly for a beat, then folds everything together with the wooden spatula into a rich golden crumble. Audio: music drops to a single hopeful sitar note, a tiny sparkle chime on the elaichi sprinkle, the clock tick grows louder underneath. Natural Hindi lip-sync. One old woman, one young man - no duplicates, no text, no captions, no subtitles, no watermark, no logo.11b:T5a4,45:o5a4,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, dark teal walls, warm tungsten light; on the right an altar with a Laddu Gopal idol in a decorated jhula, lit diya, marigolds, and an empty brass thali. Clock macro: 11:59, red seconds hand at 50 - each tick a heavy bomb-timer THUD. Aarav (24, messy hair, mustard-yellow kurta, orange tilak) grabs a brass bowl heaped with golden-brown dhaniya panjiri and sprints across the kitchen toward the altar in ultra-slow motion - kurta flying, face contorted in a war-cry of pure determination, mouth open in a silent "NAHIIIN". A plump orange tabby cat darts between his legs - he stumbles, the bowl tilts, and a single roasted cashew launches into the air, spinning in slow motion, catching the light like a diamond. Heartbeat slows to a crawl; sound drops to a low drone. A wrinkled hand with gold bangles enters frame holding a small brass katori and catches the cashew mid-air without looking. Aarav slides on his knees and sets the bowl on the brass thali in front of the jhula EXACTLY as the clock hits 12:00 - temple bells ring, a conch shell blows, warm golden light blooms across the frame. Audio: pounding heartbeat, slowed drone, whoosh, then bells + conch + swelling devotional flute. One young man, one cat, one bangled hand - no duplicates, no text, no captions, no subtitles, no watermark, no logo.45:o8d6,11c:T48d,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm golden light, the altar with Laddu Gopal in the jhula, a brass bowl of golden dhaniya panjiri on the thali, diya flame steady. Aarav (24, messy hair, mustard-yellow kurta, orange tilak) lies flat on the kitchen floor, arms spread, chest heaving, staring at the ceiling with a delirious relieved grin. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) stands at the altar, hands folded, eyes closed, serene smile. Aarav, from the floor, in Hindi, breathless: "Dadi... aap CIA mein thi?" Dadi opens one eye, deadpan: "Nahi. Chaalis saal se Janmashtami bana rahi hoon." Camera pans to the counter: a plump orange tabby cat sits smugly with ONE white makhana in its mouth, tiny brass bell glinting. Dadi's eyes narrow behind her spectacles: "...Ek makhana kam hai." Audio: comedic brass sting on the cat reveal, then warm devotional flute with soft tabla. Natural Hindi lip-sync. One old woman, one young man, one cat - no duplicates, no text, no captions, no subtitles, no watermark, no logo.11d:T42e,I need to convert all the dialogue lines across the 9 clip prompts from romanized Hindi into Devanagari script, keeping everything else in the prompts unchanged, and I'm working through each clip's lines one by one. Continuing the translations for clips 5 and 6, covering the coconut and dhaniya powder step, then moving to the gas-off cooling step with sugar and cardamom powder, noting how heat would melt the sugar if added too soon. For clip 7, I'm working out how to render a silent, drawn-out "NAHIIIN" mouth shape into Hindi script, trying stretched vowel spellings like "नहीईईं" to capture the elongation naturally. Then clip 8 begins the "Dadi... were you in the CIA?" line translation. I'll keep the "Natural Hindi lip-sync" note and all other clip prompt structure unchanged, only updating dialogue lines to Hindi. Since the user asked for all clip prompts updated, I'll preserve headers and attachment lines as-is, and the Hindi dialogue text itself doesn't violate the no-text constraint since that refers to on-screen text, not spoken lines.11e:T5ba,45:o5ba,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, subtle anamorphic flare, fine film grain. Night, traditional-modern North Indian kitchen: dark teal walls, warm tungsten pendant light, brass utensils, a small altar with a Laddu Gopal idol in a decorated jhula, a lit diya, and an EMPTY brass thali in front of it. 0.0-1.5s: Extreme macro on a vintage wall clock, cream dial, bold red seconds hand ticking toward 11:50 - each tick is a deep amplified bomb-timer THUD over a low sub-bass drone. 1.5-4s: Hard whip-pan to the face of Aarav - a 24-year-old lean Indian man, messy black hair, thick eyebrows, smudged orange tilak, mustard-yellow kurta. Eyes blown wide in pure horror, pupils trembling, a sweat bead sliding down his temple. He whisper-screams in Hindi, voice cracking: "भोग... नहीं... बना।" 4-6s: Rack focus past him to the empty brass thali glowing in diya light. Aarav turns to camera, hyperventilating: "दस मिनट में कृष्ण जी आ रहे हैं।" From the darkness behind him, a wrinkled hand with two gold bangles lands on his shoulder - he freezes mid-breath. Audio: one heartbeat thump per clock tick, sharp thriller string stinger on the shoulder grab, no other music. Natural Hindi lip-sync. Exactly one man in frame, no duplicate people, no extra hands except the single bangled hand, no text, no captions, no subtitles, no watermark, no logo.45:o9,11f:T5f7,45:o5f7,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, dark teal walls, warm tungsten pendant light, cool blue moonlight from a window, brass utensils, a gas stove with a black iron kadhai. Slow dolly-in as Dadi steps out of the shadow into the pendant light: a petite 70-year-old Indian grandmother, silver hair in a tight bun, round steel-rimmed spectacles catching a glint of light, red bindi, crisp white cotton saree with maroon-gold border, holding a wooden spatula like a loaded weapon. Face: completely deadpan, one eyebrow slightly raised, a micro-smirk. Dadi speaks in Hindi, calm and low like a spy commander: "दस मिनट। धनिया पंजीरी। व्रत का भोग - बिना अनाज।" Aarav (24, messy hair, mustard-yellow kurta, orange tilak) stands frozen frame-right, jaw hanging open, and stammers in Hindi: "दादी... आप तो सो रही थीं?" Dadi spins the spatula once, points it at the stove without looking at him, and says flatly: "मैं कभी नहीं सोती।" She clicks a gas lighter - a blue flame ignites in slow motion, reflecting in her spectacles. Audio: spy-thriller staccato strings with tabla percussion kicking in on the spatula spin, gas ignition whoosh. Natural Hindi lip-sync. Exactly one old woman and one young man, no duplicate people, no text, no captions, no subtitles, no watermark, no logo, no morphing faces.45:o9,120:T657,45:o657,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light, black iron kadhai on a blue gas flame. Close medium shot: Dadi (70, silver bun, steel-rimmed spectacles, red bindi, white saree with maroon-gold border) pours whole coriander seeds from a small brass katori into the DRY hot kadhai - seeds hit with a crisp rattling sizzle in slow motion. She stirs with a wooden spatula, calm, focused. Dadi, in Hindi, crisp: "साबुत धनिया। सूखा भूनो, धीमी आंच, दो मिनट - जब तक खुशबू न आए।" Cut to Aarav (24, messy hair, mustard-yellow kurta, orange tilak) holding his black smartwatch up to his face like a bomb-defuser reading a timer, sweating, eyes darting between the watch and the pan: "दो मिनट हो गए? हो गए?? अब?" Dadi, not looking at him: "जला दिया तो कृष्ण जी नाराज़।" She tips the toasted seeds into a mixer grinder; it roars like a jet engine - Aarav flinches and slaps both hands over his ears. Quick macro insert: fine tan coriander powder pouring out. Final beat: at the bottom edge of the counter, a plump orange tabby cat's head slowly rises into frame, green eyes locked onto a bowl of makhana. Audio: tension-building tabla with low strings, exaggerated grinder roar, comedic suspense sting on the cat reveal. Natural Hindi lip-sync. One old woman, one young man, one cat - no duplicates, no text, no captions, no subtitles, no watermark, no logo.45:o9,121:T619,45:o619,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light over a black granite counter, black iron kadhai on a gas flame. Macro: a spoonful of golden desi ghee slides into the hot kadhai and melts - slow-motion shimmer, heat haze, the sizzle exaggerated like a small explosion. Dadi's wrinkled hands (gold bangles) add cashews, almonds, white makhana (fox nuts) and melon seeds one after another. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border), in Hindi, commanding: "देसी घी। काजू, बादाम, मखाने, मगज़ - गोल्डन ब्राउन तक भूनो। मखाना कुरकुरा होना चाहिए।" Camera tilts to the side counter: a plump orange tabby cat with a tiny brass bell extends one white paw in ultra-slow motion toward a brass katori of makhana, claws out, eyes narrowed, tension building like a safe-cracking heist. Without turning her head, Dadi taps the wooden spatula twice on the counter - TAK TAK. The cat's paw freezes mid-air, slowly retracts, and the cat innocently licks its shoulder. Insert macro: cashews turning golden, makhana puffing and crisping in ghee. Audio: heist-thriller pulse with ticking hi-hat, rich ghee sizzle, comedic record-scratch stop when the paw freezes. Natural Hindi lip-sync. One old woman, one cat - no duplicates, no extra hands, no text, no captions, no subtitles, no watermark, no logo.45:oa96,122:T503,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light, black iron kadhai with golden roasted nuts. Quick insert: vintage wall clock reading 11:55, red seconds hand sweeping, tick amplified. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) adds a handful of dry grated coconut to the golden nuts, then pours in fine coriander powder - a soft fragrant puff rises in slow motion through the warm light. Dadi, in Hindi, steady: "सूखा कसा नारियल। फिर धनिया पाउडर - दो मिनट और, धीमी आंच।" Aarav (24, messy hair, mustard-yellow kurta, orange tilak), face glistening with sweat, fanning himself with a steel plate, leans over the pan and inhales deeply with half-crazed eyes: "खुशबू आ गई... या मैं बेहोश हो रहा हूँ?" Dadi glances at him over her spectacles, deadpan: "दोनों।" Audio: rising strings, tabla accelerating, a light comedic woodwind flourish on "दोनों". Natural Hindi lip-sync. One old woman, one young man - no duplicates, no text, no captions, no subtitles, no watermark, no logo.123:T578,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light, black iron kadhai filled with a golden-brown roasted mixture of nuts, coconut and coriander. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) twists the gas knob off - the flame dies with a soft pop. Quick insert: wall clock reading 11:58. Dadi, in Hindi, fast but calm: "गैस बंद। थोड़ा ठंडा होने दो - फिर बूरा या पिसी चीनी, और इलायची पाउडर। गरम में डाला तो चीनी पिघल जाएगी।" Aarav (24, messy hair, mustard-yellow kurta, orange tilak), desperate to contribute, pinches green cardamom powder and sprinkles it over the pan with an absurdly dramatic magician's flourish - eyes closed, lips pursed, fingers fluttering - a tiny puff of green-gold dust in slow motion. Dadi stares at him flatly for a beat, then folds everything together with the wooden spatula into a rich golden crumble. Audio: music drops to a single hopeful sitar note, a tiny sparkle chime on the elaichi sprinkle, the clock tick grows louder underneath. Natural Hindi lip-sync. One old woman, one young man - no duplicates, no text, no captions, no subtitles, no watermark, no logo.124:T5af,45:o5af,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, dark teal walls, warm tungsten light; on the right an altar with a Laddu Gopal idol in a decorated jhula, lit diya, marigolds, and an empty brass thali. Clock macro: 11:59, red seconds hand at 50 - each tick a heavy bomb-timer THUD. Aarav (24, messy hair, mustard-yellow kurta, orange tilak) grabs a brass bowl heaped with golden-brown dhaniya panjiri and sprints across the kitchen toward the altar in ultra-slow motion - kurta flying, face contorted in a war-cry of pure determination, mouth open in a silent "नहीईईं". A plump orange tabby cat darts between his legs - he stumbles, the bowl tilts, and a single roasted cashew launches into the air, spinning in slow motion, catching the light like a diamond. Heartbeat slows to a crawl; sound drops to a low drone. A wrinkled hand with gold bangles enters frame holding a small brass katori and catches the cashew mid-air without looking. Aarav slides on his knees and sets the bowl on the brass thali in front of the jhula EXACTLY as the clock hits 12:00 - temple bells ring, a conch shell blows, warm golden light blooms across the frame. Audio: pounding heartbeat, slowed drone, whoosh, then bells + conch + swelling devotional flute. One young man, one cat, one bangled hand - no duplicates, no text, no captions, no subtitles, no watermark, no logo.45:o515,125:T502,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm golden light, the altar with Laddu Gopal in the jhula, a brass bowl of golden dhaniya panjiri on the thali, diya flame steady. Aarav (24, messy hair, mustard-yellow kurta, orange tilak) lies flat on the kitchen floor, arms spread, chest heaving, staring at the ceiling with a delirious relieved grin. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) stands at the altar, hands folded, eyes closed, serene smile. Aarav, from the floor, in Hindi, breathless: "दादी... आप सीआईए में थीं?" Dadi opens one eye, deadpan: "नहीं। चालीस साल से जन्माष्टमी बना रही हूँ।" Camera pans to the counter: a plump orange tabby cat sits smugly with ONE white makhana in its mouth, tiny brass bell glinting. Dadi's eyes narrow behind her spectacles: "...एक मखाना कम है।" Audio: comedic brass sting on the cat reveal, then warm devotional flute with soft tabla. Natural Hindi lip-sync. One old woman, one young man, one cat - no duplicates, no text, no captions, no subtitles, no watermark, no logo.126:T7241,45:o7241,I need to rework every clip prompt with explicit timestamps for each beat and dialogue so the video model doesn't skip lines, adjusting clip lengths between 4-10 seconds while keeping the total under 60s. I'm estimating Hindi speech pacing at roughly 2.5-3 words per second and working out durations for each line, starting with the hook clip's opening dialogue at about 2 seconds. For Clip 1, I'm mapping the full 8-second beat sheet: the clock macro and ticking sound, the whip pan where Aarav says his first line, the rack focus to the empty thali with silence except a heartbeat, his second line to camera, and the freeze-frame stinger when the hand lands on his shoulder. Now I'm building Clip 2's timing similarly - Dadi's slow four-second commanding line about the offering, Aarav's questioning response, and her curt reply, plus the dolly-in reveal and gas ignition, totaling around 10 seconds with each beat timestamped precisely. Moving to Clip 3's step-by-step structure, I'm timing out Dadi's instruction about roasting the coriander, Aarav's anxious check-in lines, and her warning about ruining the offering, then continuing into the grinder sound cue. Now I'm tallying up the full clip budget across the sequence—hook, reveal, four step clips, climax, punchline, and outro—and realizing the totals are running too tight for the 60-second cap, so I need to trim somewhere to fit everything in. Since the user gave permission to adjust individual clip lengths, I'd rather re-time dialogue delivery than cut lines that carry the joke. I'm estimating Hindi speech pacing word-by-word for the key lines to figure out realistic clip durations that still land the humor. Let me tally dialogue duration per clip to check pacing — clip 1 around 4.5s, clip 2 around 6.5s, clip 3 near 8s, clip 4 about 4.5s with the ghee and nuts roasting lines, and clip 5 roughly 6.5s covering the coconut and dhaniya powder lines plus Aarav's reaction line. Now clip 6 runs around 6 seconds with the gas-off, sugar and cardamom lines, which feels a bit long, while clip 7 has no dialogue since it's the silent "नहीईईं" beat, and clip 8 comes in around 6 seconds with the CIA joke and Dadi's forty-years-of-Janmashtami reply. Adding up all the dialogue across clips gets me to roughly 45 seconds, but once I factor in the visual beats needed for the hook, reveal, and heist climax, the total easily blows past 60 seconds. So my plan is to keep every line of dialogue intact but tighten Dadi's longer recipe instructions down to their essentials, while also compressing some of the visual beats to make room. I'm weighing whether to fold the CTA outro into clip 8 versus keeping it as its own clip 9, but merging them makes the timing too tight, so I'll keep them separate and instead work out a tighter time budget starting with the hook clip. For the reveal clip I'm trying to keep Dadi's line about the ten-minute grain-free panjiri intact since it explains why the recipe works for fasting, while shaving down Aarav's response to fit the 8-second window. For the first step I'm trimming Dadi's roasting instructions down to "whole coriander, dry roast, low flame, two minutes" and tightening Aarav's impatient reaction and Dadi's warning about not burning it, trying to fit dialogue plus the pouring and grinder visuals into the ten-second budget. For step 2, the heist sequence, I'm reordering so dialogue about ghee and nuts plays over the first 4.5 seconds while the actual heist visual and macro shot fill the remaining time. Step 3's timing works fine as-is with the dialogue, clock insert, and buffer. For step 4 I'm shortening Dadi's line about turning off the gas, cooling, then adding jaggery and cardamom so it fits alongside Aarav's flourish moment within the eight-second window. Now tallying totals across all nine clips, I'm landing at 72 seconds when I need to cut about 12 seconds. I'm weighing options: dropping the outro clip entirely and folding a tighter call-to-action into the punchline clip, trimming the second clip by two seconds, or shortening the third clip some other way. I'm also considering trimming individual dialogue lines that are funny but expendable, shortening the climax by two seconds, and squeezing the fifth clip down to six seconds by tightening the exchange between Dadi and Aarav while dropping the clock insert, even though that sacrifices some visual breathing room. But maybe a better route is restructuring into fewer, denser clips instead — merging the third and fourth steps into one ten-second segment and deciding which joke to sacrifice, weighing the bomb-timer smartwatch bit, the cat heist paw freeze, the "बेहोश... दोनों" line, and the elaichi flourish against each other for comedic value. But that loses the sugar-melting tip, so I'm trying "गैस बंद — वरना चीनी पिघल जाएगी। अब बूरा और इलायची।" though that pushes the merged clip's dialogue too close to 10 seconds. I'm reconsidering whether to keep all nine clips instead and just tighten timing, checking Hindi syllable pacing at roughly 5-6 syllables per second to see how much dialogue actually fits, starting with counting out "भोग... नहीं... बना।" including its dramatic pauses. Finishing that line at 2s, then "मैं कभी नहीं सोती" adds another 1.5s, bringing clip 2's dialogue to roughly 7.5s against a 10s target. Moving to clip 3, I'm timing out the roasting-coriander instructions, syllable by syllable, to see how they fill the runtime. That works at 10s. Actually, I could move the cat reveal out of clip 3 since it's introduced in clip 4 anyway — restructuring clip 3 as seeds pouring, Dadi's lines, Aarav's interjection, then the grinder roaring with powder macro and the cat's head rising into frame. For clip 4, I'm drafting the dialogue about desi ghee and roasting cashews, almonds, makhana, and magaz until golden brown, with makhana needing to turn crispy. Counting syllables, the full line runs too long for an 8-second clip with the heist bit included, so I'm trimming it down to just the roasting list ending at golden brown, saving about 4 seconds for the heist action, and dropping the crispy-makhana line — maybe having the heist play out while Dadi speaks, with the cat's paw-tap sound landing right at the end. Now I'm timing clip 5: dialogue runs from 0.5 to 4.5 seconds, cat paw creeping from 4.5 to 7, the tap-tap freeze from 7 to 7.5, and the lick finishing it off. I'm drafting the next lines about the dried coconut and coriander powder cooking for two more minutes on low heat, followed by a joke about the aroma making him faint, checking syllable counts to keep pacing on track for the 4-second beat. For clip 6 I'm trimming the dialogue about turning off the gas, letting it cool, then adding jaggery and cardamom powder — cutting it down since the full version ran too long at seven seconds, aiming for a tighter phrasing that still explains why sugar can't go in while it's hot. Timing works out okay, so I'll drop the "या पिसी चीनी" alternative line and put it in on-screen text instead. For clip 7's climax, 8 seconds feels necessary to fit the run, stumble, cashew catch, slide, and bell chime beats. Then I'm starting on clip 8's dialogue timing, working out the syllable count for "दादी... आप सीआईए में थीं?" at about 2 seconds before Dadi's response begins. Clip 9 comes to about 4.5-6s depending on trimming, but tallying all clips gives 74s against a 60s budget — 14 seconds over. I need to restructure more aggressively rather than just trimming individual lines. Cutting Clip 5's Aarav joke and merging Steps 3+4 into a single 10s clip would save 6 seconds, trimming clip 7 to 6s saves another 2, but merging clips 8+9 is trickier since their combined dialogue runs about 10 seconds already — too tight to compress further without sacrificing the makhana/cat reveal, which is the strongest joke. I'm weighing whether dropping the "11:50" outro callback and shortening clip 9 to 4s is the better trade-off. I'm testing a shorter 2.5s CTA line ("रेसिपी सेव करो — अगले साल मत भूलना") that still nods to the callback while fitting a 4-second clip with a push-in, delivery, and closing wink-and-bell beat. Now I'm re-timing the whole sequence from scratch, checking if Dadi's reveal line can be trimmed to fit an 8s clip instead of 10s, and considering whether cutting Aarav's "आप तो सो रही थीं?" line would help, though I'm hesitant since it undercuts his character. I could fold "बिना अनाज" into Dadi's line itself — "दस मिनट। धनिया पंजीरी — बिना अनाज" — keeping the value point spoken rather than shifting it to on-screen text, and the timing still fits within 8 seconds with tight, explicit beats. Then clips continue: Step 1 at 10s (trimmed), followed by Step 2. For Step 3's 6-second slot, the dialogue is too long at 7.3s, so I'm trimming Dadi's line to "सूखा नारियल, फिर धनिया पाउडर — दो मिनट और" (~3s), Aarav to 2.5s, and a short closing beat from Dadi — but even dropping the clock insert this runs slightly over 6s and risks clipping the tail word "दोनों," so I may need to give this step 8 seconds instead for breathing room. Step 4 gets 8s, and I'm moving into the climax section next. Adding the remaining segments — climax, punchline, outro — brings the total to 68 seconds, still 8 over budget, so I need further cuts. I'm considering shrinking Clip 1 to 6 seconds by tightening Aarav's second line to something like "दस मिनट में कृष्ण जी आएंगे" and restructuring the timing: a brief clock shot, then the dialogue about the bhog not being ready, a quick rack focus to the thali, and the remaining line about Krishna ji arriving in ten minutes. I'm keeping the 8-second hook intact since that's the highest-value moment, but compressing the climax to 6 seconds by tightening the slow-motion run, cat trip, cashew launch, catch, knee slide, and bell bloom sequence — that saves 2 seconds, bringing the total to 66. I'm still looking for another 6 seconds somewhere, possibly by merging Clip 5 into an adjacent shot. I'm weighing whether combining coconut and coriander powder into Clip 6 alongside the cooling step sacrifices clarity, and whether it's worth losing the "बेहोश/दोनों" joke to fit everything — maybe I should drop the elaichi flourish instead to preserve that punchline. Now I'm sketching out an 8-clip, 60-second structure: hook at 8s, reveal at 8s, then step one covering the dhaniya roast, grind, and smartwatch joke at 10s, moving into the next step from there. I'm mapping out the remaining clips — ghee and nuts with the cat heist bit at 8s, then combining coconut, dhaniya powder, gas-off, and bura/elaichi with the "बेहोश/दोनों" joke into a 10s clip, followed by an 8s climax and 8s punchline, which sums to 60 with no separate outro. I'm debating where the CTA goes since Dadi's line in the punchline clip already runs 6.5s in an 8s slot — maybe it's simpler to just add "Recipe save karo" as on-screen text at the end like editors typically do, since clip durations are locked to 4/6/8/10 increments and I can't squeeze in an extra beat. I'm also considering restructuring into 7 clips instead, starting with 8+8+10+8. I try 8+8+10+8+10+6+10=60, making the punchline clip 10s to fit the CIA line, Dadi's reaction, the cat's "एक मखाना कम है" moment, and Dadi's wink-to-camera CTA all within the dialogue and visual beats — that works out cleanly. Then I break down the 6s climax second-by-second: the clock hitting 11:59:50, Aarav's slow-motion dash and stumble with the cat, the cashew spinning through the air and getting caught in a bangled hand, the knee slide onto the thali as the clock strikes midnight, and finally the bells, conch, and golden bloom finishing it off. Now I'm reconsidering the pacing — whether the merged step clip needs to be 8s or 10s depending on whether I trim Aarav's "बेहोश" joke to make the dialogue fit, since the full version runs over by about 2 seconds. Then Dadi delivers the "दोनों" punchline, twists off the gas with a pop, and starts her final line about turning off the flame. Timing the follow-up "अब बूरा और इलायची" runs too long against the clock, so I'm trimming it to just "गैस बंद। अब बूरा और इलायची।" — about 2 seconds — letting Aarav's flourish fill the remaining beat, and pushing the "sugar melts when hot" tip to on-screen text instead of dialogue. Aarav's flourish overlapping at 8.5–9.5, then folding with the spatula into a golden crumble by 10s — but that's dense and risks the model skipping beats. Maybe I should reconsider packing so many dialogue beats per clip; the user's real complaint was partial dialogues getting skipped, so tighter scheduling could make that worse. Fewer, better-paced clips with cleaner timing might serve the goal better than cramming everything into nine clips. Trying an eight-clip version summing to 60 seconds, I'm working through each segment's timing — the hook, reveal, and step-by-step cooking beats — adjusting line lengths and durations to fit naturally without cutting off Dadi's or Aarav's dialogue mid-sentence, especially the tighter ones like the heist step and step 3 where the combined line durations barely fit. Actually maybe keep the "सो रही थीं / कभी नहीं सोती" exchange since it's a solid spy-genre joke that establishes Dadi's character in clip 2. I could restructure clip 2 as 6 seconds: reveal, then Dadi's coriander pinjiri line, then the sleeping exchange — dropping the flame beat entirely. But timing keeps stretching past 6 seconds no matter how I trim the lines. I'll step back and just accept an 8-clip structure with a merge at 10 seconds, or try a 7-clip layout instead: 8+8+10+8+10+6+10 = 60, where the merged clip 5 carries four dense lines. Adding Dadi's short reply gets Step 3 to 6s, but summing all eight segments still totals 62s — two seconds over budget again. I'm trying to trim Step 1 down to 8s by cutting one of Dadi's lines and letting the grinder sound carry the reaction beat instead, reworking the timing so seeds pour and sizzle first, then Dadi's roasting instruction fills 3.5s, leaving room for Aarav's response. Let me try trimming the hook to 6 seconds instead: clock macro thud, then whip pan with Aarav's "भोग नहीं बना" line, rack focus to the thali and back with his "दस मिनट में कृष्ण जी आएंगे" line, ending on the bangled hand shot. Actually, keeping the hook at 8 seconds with slightly loose timing works better than forcing it to 6 — that gives me a final structure of 8-8-8-8-6-6-6-10 seconds summing to 60. For clip 8, I'm laying out the punchline scene: Aarav flat on the floor near Dadi at the altar, his line asking if she was in the CIA, then Dadi opening one eye to respond. Then it's her admitting she's been making Janmashtami sweets for forty years, a quick pan to the cat stealing a makhana with a brass sting sound, Dadi narrowing her eyes to note one is missing, then finally turning to the camera with a smirk and wink telling viewers to save the recipe, capped with a bell sound. That's four lines packing 7.7 seconds of dialogue into a 10-second clip — a 77% density that's noticeably higher than other clips, which makes me want to check how that compares against clip 2's timing before deciding if it's too risky. I'm weighing whether to move the CTA out of spoken dialogue entirely and let it appear as on-screen text instead, ending the punchline clip on the "one makhana missing" line for a stronger payoff. That would let me stretch the climax to 8 seconds while keeping punchline density around 65% for a more comfortable pacing, though I'm still torn on whether losing a spoken CTA hurts engagement. Finishing with her turning to camera for "रेसिपी सेव करो" plus a wink covers the remaining 1.7s, giving dialogue 7.7s and visuals 2.3s total, which feels balanced with enough slack per line. Though I'm second-guessing whether packing five visual beats — slo-mo run, cat trip, cashew launch, catch, knee slide, bells — into a 6s climax is too dense. Weighing options: an 8s climax with an 8s punchline and three lines with no spoken CTA, versus a 6s climax with a 10s punchline and four lines including the CTA — both fit into 60s. I consider shrinking the heist step, but it needs room to build, so that's out. Trying to shave the hook to 6s to free up time for the climax and punchline also seems too risky since it would cram 3.8s of dialogue into a tight 4.5s window on the most critical clip. Reveal at 6s doesn't work either since the dialogue needs at least 5.3s. So I'm settling on 8 clips: hook 8s, reveal 8s, step 1 at 8s, the heist step at 8s, step 3 at 6s, step 4 at 6s, climax at 8s, and punchline at 8s with three lines, moving the CTA to on-screen text during editing instead of spoken dialogue. Losing Dadi's callback line is a pity though, so I'm reconsidering whether a 10s punchline and 6s climax might preserve it better, especially given the user wants something extremely funny, suspenseful, and valuable. I could try folding the "गैस बंद" beat into the step 3 clip and dropping the fainting joke, which frees up 2 seconds to restore Dadi's "जला दिया" line in step 1, bringing everything to a clean 60-second total: hook 8s, reveal at whatever duration that leaves me. I should note the earlier instruction to not change anything else was specific to the Hindi translation task, while now they've explicitly allowed adjusting clip lengths — which implies some restructuring is acceptable to fit the 60s constraint. I'll be transparent with a brief change log explaining what got trimmed and why, rather than silently altering things. Comparing the 8-clip option (keeping both jokes but trimming a line here and there to hit 60s exactly) against the 7-clip Option D, which drops a generation and keeps a spoken CTA callback, making it cheaper but with one denser clip at 10s/4 lines. Testing whether Option D's tight clips (like Step 3 at 90% dialogue density) could still work by rearranging lines, but the timing keeps not fitting cleanly, so I'm settling on Option D as the safer choice and rechecking the Step 1 clip's dialogue and visual pacing at 10 seconds. I'm laying out a tighter timeline: establishing beat, Aarav's line, Dadi's response, a pan to the cat with a sting, the "एक मखाना कम है" line, her turn to camera, the "रेसिपी सेव करो" wink, then holding on the panjiri with a bell sound to close at 10s. For Clip 2, I'm reworking the opening — Dadi stepping from shadow into light with just the drone sound, then her line about the ten-minute coriander panjiri being grain-free and fit for a fast — but the syllable count is running too fast for a calm delivery, so I'm trimming it down to keep the pacing natural. Continuing the timeline, I'm mapping out Aarav's line and Dadi's response with the spatula spin and gas click, but the dialogue density hits 81% which feels too tight—maybe I need a 10s clip instead. Let me simplify the food line to "दस मिनट। धनिया पंजीरी — बिना अनाज।" at roughly 2.6 seconds, keeping the pace calm. Rechecking against the revised 8-second timeline, dialogue drops to 72%, which feels better balanced. I'm also weighing whether "बिना अनाज" alone lands the value proposition, or whether it needs the on-screen text pairing—settling on a staccato three-beat phrasing: "दस मिनट। धनिया पंजीरी। बिना अनाज।" since short punchy fragments suit the commander-style delivery better than a longer combined sentence. For the second hook clip, I'm mapping out the panic beats: a macro clock shot with a bomb-timer thud on each tick, a whip-pan to Aarav's dramatic confession that the bhog isn't made, a rack focus to the empty glowing thali, his hyperventilating line about Krishna arriving in ten minutes, then a bangled hand freezing him with a string stinger — landing dialogue at 56% of the 8 seconds. Then I start blocking out the first cooking step of clip three, opening with seeds rattling into a dry hot kadhai. Now I'm timing out the coriander-roasting beat: Dadi's instruction to dry-roast on low heat for two minutes, Aarav anxiously checking his smartwatch, Dadi's warning that Krishna will be upset if it burns, then the jarring shift to the grinder's jet-engine roar with Aarav covering his ears, ending on a macro shot of the fine powder pouring out. I'm second-guessing the pacing of the last two beats since they're crammed into half a second, so I'm considering merging the grinder roar with the ear-covering and pushing the powder macro slightly later — and I'm leaning toward cutting the cat cameo from this clip since it's already introduced in clip four, to avoid overloading the shot. Now I'm sketching clip four, the "heist" sequence: opening on a slow-motion macro of ghee melting and sizzling in a hot kadhai, then Dadi's bangled hands adding cashews, almonds, makhana, and melon seeds while she narrates the ingredients going in. Then the cat makes its move — a white paw extends in ultra-slow-motion toward the makhana bowl, claws out, only to freeze mid-air when Dadi taps her spatula twice without even turning around. I'm having the paw retract as the cat innocently licks its shoulder, and I'm cutting the extra macro insert of crisping makhana since it's overkill for this beat. For the next clip, I'm dropping the original tip about makhana needing to be crisp and instead putting it as on-screen text to save time. This section opens with a clock insert at 11:56, then shows Dadi adding dry grated coconut followed by coriander powder, with a slow-motion fragrant puff and her voiceover explaining the steps in sequence. Continuing on, Dadi turns off the gas as the flame dies with a soft pop, warning that leaving it on would melt the sugar, then instructs adding bura and cardamom while Aarav sprinkles the cardamom powder with an exaggerated magician's flourish. Dadi gives him a flat stare before folding everything into a golden crumble with the spatula. I'm checking the dialogue timing at 74% coverage, but I'm noticing a logic gap — the two-minute wait mentioned for the coconut and powder doesn't quite match up with the gas being turned off immediately after. For the climax clip, I'm planning the clock hitting 11:59 with a macro shot, the red second hand at 50 with heavy ticking sounds, then transitioning into the final beats before midnight. For clip 7, I'll keep Dadi, Aarav, and Cat as the attachments since panjiri already appears elsewhere and I'm capped at three per clip. Adding up all the durations gives exactly 60 seconds, which fits the user's "under 60 seconds" requirement right at the limit. Actually, keeping the 8s clip is fine — the total lands exactly at 60s, and if they need margin, they can trim the outro hold or clip 1's tail in the editor. I also want to confirm timestamp formatting works for whichever Veo model the user means, since they explicitly asked for timestamps in the prompts. I'll add a guard line requiring each dialogue line to be spoken fully within its time window, with no cutoffs, skips, or overlaps, and keep Hindi dialogue in Devanagari as before, along with the attachment lists above each clip. Since character/element reference prompts are just images without timestamps, I'll note those stay unchanged and get reused rather than rewritten. Then I'll present only the seven clip prompts with timestamps, adding a brief changelog noting the restructure into 7 merged clips with trimmed lines. I'm double-checking the clock element's displayed time against how it's referenced at 11:56 and 11:59 across the later clips, confirming the base image time works fine as a reference, and mapping out which attachments go with each clip. I'm also verifying the Hindi dialogue lines for each clip, making sure the phrasing sounds natural for Dadi and Aarav's exchanges about the panjiri timing and roasting steps. Dadi adds a note about the makhana being short, then tells him to save the recipe. I'm thinking of adding an on-screen text callback about not oversleeping next year at 11:50, and noting the lost jokes about being unconscious and crispy makhana plus the powdered sugar alternative as on-screen text in the changelog. Now I'm drafting each clip's prompt in full, starting with clip 1: a vertical 9:16 cinematic photorealistic night scene in a North Indian kitchen with teal walls, tungsten lighting, brass utensils, and a small altar. I'm working through the second's timeline in detail—a macro shot on a ticking clock with amplified thud sound effects, then a hard whip-pan to Aarav's startled face, making sure every dialogue beat fits its exact time window without being cut off. Then the shot racks focus to the empty thali glowing in diya light with just heartbeat and tick sounds, back to Aarav delivering his line about Krishna arriving in ten minutes, and finally at the end a wrinkled hand with gold bangles emerges from darkness to land on his shoulder. I'm laying out the audio spec for clip 1: heartbeat sync, a sharp string stinger on the shoulder grab, natural Hindi lip-sync, and strict constraints on exactly one man in frame with no duplicates or extras. Then I'm starting clip 2's timeline, opening on a slow dolly-in as Dadi, a petite elderly grandmother with silver hair, steel-rimmed spectacles, and a red bindi, steps out of the shadows into the light. I continue detailing Dadi's appearance—crisp white saree with maroon-gold trim, wielding a wooden spatula like a weapon, deadpan expression—then script out the Hindi dialogue beats: her calm commanding line about ten minutes and coriander panjiri, Aarav's stunned reaction, her flat retort that she never sleeps, and her clicking the gas lighter to close the sequence. For the next clip, I'm building a ten-second sequence where Dadi pours coriander seeds into a hot kadhai with a sizzling sound, instructs Aarav in Hindi about dry-roasting technique on low flame for two minutes, then cuts to Aarav frantically checking his smartwatch timer like defusing a bomb, panicked and asking if the two minutes are up—while Dadi remains unbothered, still stirring. She deadpans that if he burns it, Krishna will be upset, then tips the roasted seeds into a mixer grinder that roars like a jet engine, making Aarav flinch and cover his ears. I'm closing on a macro shot of fine coriander powder pouring out, with a comedic beat as a tabby cat's head slowly rises into frame eyeing a bowl of makhana. For clip four, I'm opening with a macro shot of ghee melting into the hot kadhai with an exaggerated sizzle, then transitioning to Dadi's bangled hands adding more ingredients. Continuing clip four, Dadi commands the roasting of cashews, almonds, makhana, and melon seeds until golden brown while the cat stages a slow-motion heist attempt toward a katori of makhana, only to freeze when Dadi taps her spatula twice without looking - the cat then retreats and innocently licks its shoulder. Clip five opens on a vintage clock reading 11:56 with an amplified tick, then Dadi adds grated coconut and coriander powder to the roasted nuts. Dadi turns off the gas so the sugar won't melt, then quickly stirs in bura and cardamom powder while Aarav adds his pinch of cardamom with an over-the-top magician's flourish, creating a puff of green-gold dust in slow motion - Dadi responds with a flat stare before folding the mixture. I'm now scripting Clip 6 as the climax and moving into Clip 7, where an exhausted Aarav collapses on the floor grinning while Dadi stands serenely at the altar. He breathlessly asks in Hindi if she was in the CIA, and she deadpans back that no, it was a trick, before her line cuts off. I'm continuing the scene: the camera catches a smug orange tabby cat with a stolen makhana in its mouth, Dadi narrows her eyes and notices one is missing, then turns to the camera with a smirk telling viewers to save the recipe with a wink, before holding on the final shot. Now I'm restructuring the whole script into 7 clips totaling exactly 60 seconds—merging two of the steps, folding the outro call-to-action into the last clip, trimming lines for spoken timing, and dropping a couple of exchanges in favor of on-screen text instead. I'll keep the same header-plus-code format as before, skip emojis, and write it out now.45:o9,127:T77c,45:o77c,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, subtle anamorphic flare, fine film grain. Night, traditional-modern North Indian kitchen: dark teal walls, warm tungsten pendant light, brass utensils, a small altar with a Laddu Gopal idol in a decorated jhula, a lit diya, and an EMPTY brass thali in front of it. Total duration 8 seconds. Follow the timeline exactly. Every dialogue line must be spoken completely inside its time window - never cut off, rush or skip a line; if a line ends early, hold the shot in silence. [0.0s-1.5s] Extreme macro on a vintage wall clock, cream dial, bold red seconds hand ticking toward 11:50 - each tick is a deep amplified bomb-timer THUD over a low sub-bass drone. No dialogue. [1.5s-3.5s] Hard whip-pan to the face of Aarav - a 24-year-old lean Indian man, messy black hair, thick eyebrows, smudged orange tilak, mustard-yellow kurta. Eyes blown wide in pure horror, pupils trembling, a sweat bead sliding down his temple. He whisper-screams in Hindi, voice cracking, with a dramatic pause between each word: "भोग... नहीं... बना।" [3.5s-4.5s] Rack focus past him to the empty brass thali glowing in diya light. Only heartbeat and clock tick. No dialogue. [4.5s-7.0s] Rack focus back to Aarav as he turns to camera, hyperventilating, and says in Hindi: "दस मिनट में कृष्ण जी आ रहे हैं।" [7.0s-8.0s] From the darkness behind him, a single wrinkled hand with two gold bangles lands on his shoulder - he freezes mid-breath, eyes wide. Sharp thriller string stinger. No dialogue. Audio: one heartbeat thump per clock tick, sharp thriller string stinger on the shoulder grab, no other music. Natural Hindi lip-sync. Exactly one man in frame, no duplicate people, no extra hands except the single bangled hand, no text, no captions, no subtitles, no watermark, no logo.45:o9,128:T738,45:o738,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, dark teal walls, warm tungsten pendant light, cool blue moonlight from a window, brass utensils, a gas stove with a black iron kadhai. Total duration 8 seconds. Follow the timeline exactly. Every dialogue line must be spoken completely inside its time window - never cut off, rush or skip a line; if a line ends early, hold the shot in silence. [0.0s-1.2s] Slow dolly-in as Dadi steps out of the shadow into the pendant light: a petite 70-year-old Indian grandmother, silver hair in a tight bun, round steel-rimmed spectacles catching a glint of light, red bindi, crisp white cotton saree with maroon-gold border, holding a wooden spatula like a loaded weapon. Face: completely deadpan, one eyebrow slightly raised, a micro-smirk. Low drone only. No dialogue. [1.2s-4.0s] Dadi speaks in Hindi, calm and low like a spy commander, a clear pause after each phrase: "दस मिनट। धनिया पंजीरी। बिना अनाज।" [4.0s-5.8s] Cut to Aarav (24, messy hair, mustard-yellow kurta, orange tilak) frozen frame-right, jaw hanging open; he stammers in Hindi: "दादी... आप तो सो रही थीं?" [5.8s-7.2s] Dadi spins the spatula once, points it at the stove without looking at him, and says flatly in Hindi: "मैं कभी नहीं सोती।" [7.2s-8.0s] She clicks a gas lighter - a blue flame ignites in slow motion, reflecting in her spectacles. No dialogue. Audio: spy-thriller staccato strings with tabla percussion kicking in on the spatula spin, gas ignition whoosh. Natural Hindi lip-sync. Exactly one old woman and one young man, no duplicate people, no text, no captions, no subtitles, no watermark, no logo, no morphing faces.45:o9,129:T7b9,45:o7b9,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light, black iron kadhai on a blue gas flame. Total duration 10 seconds. Follow the timeline exactly. Every dialogue line must be spoken completely inside its time window - never cut off, rush or skip a line; if a line ends early, hold the shot in silence. [0.0s-1.0s] Close medium shot: Dadi (70, silver bun, steel-rimmed spectacles, red bindi, white saree with maroon-gold border) pours whole coriander seeds from a small brass katori into the DRY hot kadhai - seeds hit with a crisp rattling sizzle in slow motion. No dialogue. [1.0s-4.5s] Dadi stirs with a wooden spatula, calm and focused, and says in Hindi, crisp: "साबुत धनिया — सूखा भूनो, धीमी आंच, दो मिनट।" [4.5s-6.5s] Cut to Aarav (24, messy hair, mustard-yellow kurta, orange tilak) holding his black smartwatch up to his face like a bomb-defuser reading a timer, sweating, eyes darting between the watch and the pan; he blurts in Hindi: "दो मिनट हो गए? हो गए?? अब?" [6.5s-8.3s] Dadi, still stirring, not looking at him, deadpan in Hindi: "जला दिया तो कृष्ण जी नाराज़।" [8.3s-9.3s] She tips the toasted seeds into a mixer grinder; it roars like a jet engine - Aarav flinches and slaps both hands over his ears. No dialogue. [9.3s-10.0s] Quick macro insert: fine tan coriander powder pouring out. At the bottom edge of the counter, a plump orange tabby cat's head slowly rises into frame, green eyes locked onto a bowl of makhana. Comedic suspense sting. No dialogue. Audio: tension-building tabla with low strings, exaggerated grinder roar, comedic suspense sting on the cat reveal. Natural Hindi lip-sync. One old woman, one young man, one cat - no duplicates, no text, no captions, no subtitles, no watermark, no logo.45:o9,12a:T6fe,45:o6fe,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light over a black granite counter, black iron kadhai on a gas flame. Total duration 8 seconds. Follow the timeline exactly. Every dialogue line must be spoken completely inside its time window - never cut off, rush or skip a line; if a line ends early, hold the shot in silence. [0.0s-1.5s] Macro: a spoonful of golden desi ghee slides into the hot kadhai and melts - slow-motion shimmer, heat haze, the sizzle exaggerated like a small explosion. No dialogue. [1.5s-5.0s] Dadi's wrinkled hands (gold bangles) add cashews, almonds, white makhana (fox nuts) and melon seeds one after another. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) says in Hindi, commanding: "देसी घी में काजू, बादाम, मखाने, मगज़ — गोल्डन ब्राउन तक।" [5.0s-6.8s] Camera tilts to the side counter: a plump orange tabby cat with a tiny brass bell on a red collar extends one white paw in ultra-slow motion toward a brass katori of makhana, claws out, eyes narrowed - tension building like a safe-cracking heist. No dialogue. [6.8s-7.4s] Without turning her head, Dadi taps the wooden spatula twice on the counter - TAK TAK. The cat's paw freezes mid-air. Comedic record-scratch stop. No dialogue. [7.4s-8.0s] The paw slowly retracts and the cat innocently licks its shoulder. No dialogue. Audio: heist-thriller pulse with ticking hi-hat, rich ghee sizzle, comedic record-scratch stop when the paw freezes. Natural Hindi lip-sync. One old woman, one cat - no duplicates, no extra hands, no text, no captions, no subtitles, no watermark, no logo.45:o9,12b:T7b6,45:o7b6,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm tungsten light, black iron kadhai with golden roasted nuts. Total duration 8 seconds. Follow the timeline exactly. Every dialogue line must be spoken completely inside its time window - never cut off, rush or skip a line; if a line ends early, hold the shot in silence. [0.0s-0.5s] Quick insert: vintage wall clock reading 11:56, red seconds hand sweeping, tick amplified. No dialogue. [0.5s-3.2s] Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) adds a handful of dry grated coconut to the golden nuts, then pours in fine coriander powder - a soft fragrant puff rises in slow motion through the warm light. She says in Hindi, steady: "सूखा नारियल, फिर धनिया पाउडर — दो मिनट।" [3.2s-3.8s] Dadi twists the gas knob off - the blue flame dies with a soft pop. No dialogue. [3.8s-7.0s] Dadi sprinkles tan bura (powdered sugar) into the pan and says in Hindi, fast but calm: "गैस बंद — वरना चीनी पिघलेगी। अब बूरा और इलायची।" While she speaks, Aarav (24, messy hair, mustard-yellow kurta, orange tilak) pinches green cardamom powder and sprinkles it over the pan with an absurdly dramatic magician's flourish - eyes closed, lips pursed, fingers fluttering - a tiny puff of green-gold dust in slow motion. [7.0s-8.0s] Dadi stares at him flatly for a beat, then folds everything together with the wooden spatula into a rich golden crumble. Tiny sparkle chime. No dialogue. Audio: rising strings that drop to a single hopeful sitar note when the flame dies, tiny sparkle chime on the elaichi sprinkle, clock tick growing louder underneath. Natural Hindi lip-sync. One old woman, one young man - no duplicates, no text, no captions, no subtitles, no watermark, no logo.45:o9,12c:T64e,45:o64e,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, dark teal walls, warm tungsten light; on the right an altar with a Laddu Gopal idol in a decorated jhula, lit diya, marigolds, and an empty brass thali. Total duration 8 seconds. Follow the timeline exactly. No spoken dialogue in this clip. [0.0s-1.0s] Clock macro: 11:59, red seconds hand at 50 - each tick a heavy bomb-timer THUD. [1.0s-3.5s] Aarav (24, messy hair, mustard-yellow kurta, orange tilak) grabs a brass bowl heaped with golden-brown dhaniya panjiri and sprints across the kitchen toward the altar in ultra-slow motion - kurta flying, face contorted in a war-cry of pure determination, mouth open in a silent "नहीईईं". [3.5s-4.5s] A plump orange tabby cat darts between his legs - he stumbles, the bowl tilts, and a single roasted cashew launches into the air, spinning in slow motion, catching the light like a diamond. Heartbeat slows to a crawl; sound drops to a low drone. [4.5s-5.5s] A wrinkled hand with gold bangles enters frame holding a small brass katori and catches the cashew mid-air without looking. [5.5s-7.0s] Aarav slides on his knees and sets the bowl on the brass thali in front of the jhula EXACTLY as the clock hits 12:00. [7.0s-8.0s] Temple bells ring, a conch shell blows, warm golden light blooms across the frame. Audio: pounding heartbeat, slowed drone, whoosh, then bells + conch + swelling devotional flute. One young man, one cat, one bangled hand - no duplicates, no text, no captions, no subtitles, no watermark, no logo.45:o9,12d:T7b1,45:o7b1,Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Night North Indian kitchen, warm golden light, the altar with Laddu Gopal in the jhula, a brass bowl of golden dhaniya panjiri on the thali, diya flame steady. Total duration 10 seconds. Follow the timeline exactly. Every dialogue line must be spoken completely inside its time window - never cut off, rush or skip a line; if a line ends early, hold the shot in silence. [0.0s-0.5s] Aarav (24, messy hair, mustard-yellow kurta, orange tilak) lies flat on the kitchen floor, arms spread, chest heaving, staring at the ceiling with a delirious relieved grin. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) stands at the altar, hands folded, eyes closed, serene smile. No dialogue. [0.5s-2.5s] Aarav, from the floor, breathless, in Hindi: "दादी... आप सीआईए में थीं?" [2.5s-5.5s] Dadi opens one eye, deadpan, in Hindi: "नहीं। चालीस साल से जन्माष्टमी बना रही हूँ।" [5.5s-6.3s] Camera pans to the counter: a plump orange tabby cat sits smugly with ONE white makhana in its mouth, tiny brass bell glinting. Comedic brass sting. No dialogue. [6.3s-7.8s] Dadi's eyes narrow behind her spectacles; she says slowly in Hindi: "...एक मखाना कम है।" [7.8s-9.5s] Dadi turns and looks straight into camera with a faint smirk and says in Hindi: "रेसिपी सेव करो।" then gives a tiny wink. [9.5s-10.0s] Hold on the glowing brass bowl of panjiri in front of the jhula, diya flame steady, soft temple bell. No dialogue. Audio: comedic brass sting on the cat reveal, then warm devotional flute with soft tabla resolving to a final note with a temple bell. Natural Hindi lip-sync. One old woman, one young man, one cat - no duplicates, no text, no captions, no subtitles, no watermark, no logo.45:o631d,f2:["$","$Lf4",null,{"params":{"chatId":"pAJPp8yRETP"},"promises":{"attributes":"$@fe","externalMeta":"$@ff","latest":"$@100","messagesRange":"$@101","messages":"$@102","template":"$@103","gitStatus":"$@104"},"children":["$","$L106",null,{"chatId":"pAJPp8yRETP","children":["$","$L107",null,{"seedOnlyKeys":["@\"chat:state\",\"pAJPp8yRETP\","],"data":{"block:output:initial":null,"/chat/api/snapshots/proxy?chatId=pAJPp8yRETP&messageId=vVViSHfrIwiCohWWqxZ3tLDyzQwQD2w8&v=v2":"$@108","@\"block:mappings\",\"pAJPp8yRETP\",":{"sqlBlockExecutionStates":"$Q109","blocksForkedFrom":"$Q10a","blocksTemplateIds":"$Q10b","blocksCreatedAt":"$Q10c","blocksShared":"$Q10d","blocksDeployed":"$Q10e","blocksSubdomains":"$Q10f","brandedBlocks":"$Q110","unlistedBlocks":"$Q111","blockOutputs":"$Q112"},"@\"chat:state\",\"pAJPp8yRETP\",":{"messages":[{"content":{"type":"parts","parts":[],"version":1},"role":"user","id":"mKBKaICRhFBiLxu3KE3h5pJMEqVxQeSX","type":"message","isContentLoading":true,"authorId":"","createdAt":"$D2026-09-03T15:23:26.133Z"},{"content":{"type":"message-binary-format","value":[[0,[["p",{},["text",{},"Loading..."]]]],[1,{"title":"Loading message"}]]},"loadingBlocks":[],"isContentLoading":true,"role":"assistant","id":"LlXlBbNFg6QZMb41kEJgZBGKxieHfFMB","gitRevision":{"headSha":"8031b49a5f72df1006f6a58deb58dfae5c0f6e66","readyAt":"2026-09-03T15:29:34.854Z","version":1,"commitMessage":"Initial commit from v0\n\nV0-Initial-Commit: v1"},"streaming":false,"finishReason":"stop","parentId":"mKBKaICRhFBiLxu3KE3h5pJMEqVxQeSX","type":"message","createdAt":"$D2026-09-03T15:23:26.134Z"},{"content":{"type":"parts","parts":[{"type":"mdx","content":"$113"}],"version":1},"role":"user","id":"KiZkkkRagF6tjKbawAF5DXou5hkh8DTp","attachments":[],"type":"message","authorId":"QlhvzwErBoDTZfffjsmvFPyb","createdAt":"$D2026-09-03T15:43:00.580Z"},{"v0ModelId":"anthropic/claude-fable-5.1","content":{"type":"message-binary-format","value":[[0,[["AssistantMessageContentPart",{"part":{"createdAt":1788450191555,"finishedAt":1788450380057,"lastPartSentAt":1788450380057,"taskNameActive":null,"id":"AHEVFaMNVaM5Dkr5","type":"task-thinking-v1","parts":[{"type":"thinking-end","duration":189,"thought":"$114"}]}}],["p",{},["text",{},"Here's the complete production kit for "],["strong",{},["text",{},"\"Operation Panjiri\""]],["text",{}," — a spy‑thriller‑style Janmashtami short where a panicked grandson and his deadpan secret‑agent Dadi have 10 minutes to make the bhog before midnight, while a cat plots a makhana heist. Total runtime: "],["strong",{},["text",{},"58 seconds"]],["text",{}," (9 clips)."]],["hr"],["h2",{},["text",{},"PART 1 — CHARACTER REFERENCE PROMPTS"]],["p",{},["text",{},"Generate these as images first. Use one clean image per character; attach them to the clips as indicated."]],["p",{},["strong",{},["text",{},"CHARACTER 1 — DADI (Kamla Dadi, the \"agent\")"]]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"Single person only, clean front-facing medium shot, neutral dark grey studio background, soft cinematic key light. A petite 70-year-old North Indian grandmother, upright posture, silver hair pulled into a tight neat bun, thin round steel-rimmed spectacles, small round red bindi, soft wrinkles, sharp intelligent eyes, completely deadpan calm expression with a faint knowing smirk. Wearing a crisp white cotton saree with a thin maroon-and-gold border, plain maroon blouse, two thin gold bangles on her right wrist, small gold nose pin. Holding a wooden kitchen spatula (kalchhi) upright like a weapon. Photorealistic, 8K, ultra-detailed skin texture. No text, no watermark, no duplicate person."],["p",{},["strong",{},["text",{},"CHARACTER 2 — AARAV (the panicked grandson)"]]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"Single person only, clean front-facing medium shot, neutral dark grey studio background, soft cinematic key light. A 24-year-old lean North Indian young man, messy black hair, thick expressive eyebrows, big anxious brown eyes, light stubble, a smudged orange tilak on his forehead. Wearing a bright mustard-yellow cotton kurta with sleeves rolled to the elbows, white pyjama, a black smartwatch on his left wrist. Expression: wide-eyed comedic panic, mouth slightly open, a sweat bead on his temple. Photorealistic, 8K, ultra-detailed skin texture. No text, no watermark, no duplicate person."],["p",{},["strong",{},["text",{},"CHARACTER 3 — MAKHAN (the cat)"]]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"Single animal only, clean medium shot, neutral dark grey studio background, soft cinematic key light. A plump orange tabby cat with a white chest and white paws, bright green eyes, one ear slightly folded, a tiny brass bell on a red thread collar, squinting mischievous expression like it is planning a crime. Photorealistic, 8K, ultra-detailed fur. No text, no watermark, no duplicate animal."],["hr"],["h2",{},["text",{},"PART 2 — ELEMENT REFERENCE PROMPTS"]],["p",{},["strong",{},["text",{},"ELEMENT 1 — THE KITCHEN (master set)"]]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"Wide establishing shot, no people. A traditional-modern North Indian home kitchen at night. Dark teal painted walls, one warm tungsten pendant lamp over a black granite counter, brass and copper utensils hanging on the wall, a gas stove with a black seasoned iron kadhai, a wooden-framed window on the left with cool blue moonlight streaming in, a marigold garland along the upper shelf. On the right side, a small home altar: a decorated wooden jhula (swing) with a tiny Laddu Gopal idol in yellow silk with a peacock feather, a lit brass diya, and an EMPTY brass thali in front. A vintage round wall clock with a bold red seconds hand reading 11:50 above the stove. Cinematic, photorealistic, 8K, warm-cool contrast lighting. No text, no watermark."],["p",{},["strong",{},["text",{},"ELEMENT 2 — THE CLOCK"]]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"Extreme macro product shot. A vintage round wall clock: cream enamel dial, black roman numerals, brass rim, thin black hour and minute hands reading 11:50, one bold red seconds hand. Slight glass reflection, warm tungsten light from the left, dark teal wall behind. Photorealistic, 8K. No text other than the numerals, no watermark."],["p",{},["strong",{},["text",{},"ELEMENT 3 — INGREDIENT FLAT-LAY"]]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"Top-down flat-lay on dark slate, moody warm light, no people. Nine small brass katoris (bowls) arranged neatly: whole coriander seeds, semi-solid golden desi ghee, raw cashews, raw almonds, white makhana (fox nuts), melon seeds (magaz), dry grated coconut, tan-coloured bura (unrefined powdered sugar), and green cardamom powder. Photorealistic food photography, 8K, visible texture. No text, no labels, no watermark."],["p",{},["strong",{},["text",{},"ELEMENT 4 — THE FINISHED DHANIYA PANJIRI (hero)"]]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"Close-up food hero shot, no people. A polished brass bowl heaped with golden-brown dhaniya panjiri: coarse toasted coriander crumble with visible roasted makhana, cashew halves, almond pieces, coconut flakes and melon seeds, garnished with slivered almonds and one fresh tulsi leaf. Placed on a brass thali in front of a decorated Laddu Gopal jhula with a glowing diya and marigolds softly out of focus behind. Warm golden light, photorealistic, 8K. No text, no watermark."],["hr"],["h2",{},["text",{},"PART 3 — CLIP PROMPTS (9 clips, 58 seconds, vertical 9:16)"]],["blockquote",{},["p",{},["text",{},"Attach the listed references (max 3 per clip, in priority order). Every prompt is self‑contained."]]],["hr"],["h3",{},["text",{},"CLIP 1 — THE HOOK | 6 sec | 0:00–0:06"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Element 2 (Clock), Character 2 (Aarav), Element 1 (Kitchen)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$115"],["hr"],["h3",{},["text",{},"CLIP 2 — THE REVEAL | 6 sec | 0:06–0:12"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Element 1 (Kitchen)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$116"],["hr"],["h3",{},["text",{},"CLIP 3 — STEP 1: DHANIYA ROAST + GRIND | 8 sec | 0:12–0:20"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Character 3 (Cat)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$117"],["hr"],["h3",{},["text",{},"CLIP 4 — STEP 2: GHEE + NUTS (THE HEIST) | 8 sec | 0:20–0:28"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 3 (Cat), Element 3 (Ingredients)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$118"],["hr"],["h3",{},["text",{},"CLIP 5 — STEP 3: COCONUT + DHANIYA POWDER | 6 sec | 0:28–0:34"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Element 2 (Clock)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$119"],["hr"],["h3",{},["text",{},"CLIP 6 — STEP 4: BURA + ELAICHI | 6 sec | 0:34–0:40"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Element 3 (Ingredients)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$11a"],["hr"],["h3",{},["text",{},"CLIP 7 — THE CLIMAX: MIDNIGHT RUN | 8 sec | 0:40–0:48"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 2 (Aarav), Character 3 (Cat), Element 4 (Finished Panjiri)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$11b"],["hr"],["h3",{},["text",{},"CLIP 8 — THE PUNCHLINE | 6 sec | 0:48–0:54"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Character 3 (Cat)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$11c"],["hr"],["h3",{},["text",{},"CLIP 9 — OUTRO / CTA | 4 sec | 0:54–0:58"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Element 4 (Finished Panjiri), Character 1 (Dadi)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Slow push-in on a polished brass bowl heaped with golden-brown dhaniya panjiri - visible roasted makhana, cashew halves, coconut flakes, slivered almonds and a fresh tulsi leaf - on a brass thali in front of a Laddu Gopal jhula, diya glowing, marigolds softly out of focus. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) leans into frame from the side, looks straight into camera with a faint smirk and says in Hindi: \"Recipe save karo. Agle saal 11:50 pe mat uthna.\" She gives a tiny wink.\n\nAudio: devotional flute resolving to a warm final note with a soft temple bell. Natural Hindi lip-sync. One old woman only, no duplicates, no text, no captions, no subtitles, no watermark, no logo."],["hr"],["h2",{},["text",{},"ASSEMBLY & VALUE NOTES"]],["ul",{"start":1},["li",{"index":1},["strong",{},["text",{},"Timing check:"]],["text",{}," 6+6+8+8+6+6+8+6+4 = "],["strong",{},["text",{},"58s"]],["text",{},"."]],["li",{"index":2},["strong",{},["text",{},"On‑screen text (add in your editor, not in generation):"]],["text",{}," overlay one clean step card per clip so the recipe is skimmable — e.g. Clip 3: "],["em",{},["text",{},"\"Step 1 · Dry‑roast whole coriander 2 min, low flame → grind fine\""]],["text",{},"; Clip 4: "],["em",{},["text",{},"\"Step 2 · Desi ghee → kaju, badaam, makhana, magaz till golden\""]],["text",{},"; Clip 5: "],["em",{},["text",{},"\"Step 3 · Dry coconut + coriander powder, 2 min\""]],["text",{},"; Clip 6: "],["em",{},["text",{},"\"Step 4 · Flame off → bura/powdered sugar + elaichi\""]],["text",{},". That's the recipe from your transcript, plus two real tips baked into Dadi's lines (roast on low so it doesn't burn; add sugar after the flame is off so it doesn't melt)."]],["li",{"index":3},["strong",{},["text",{},"Continuity:"]],["text",{}," Generate all three character images first, then reuse the exact same files for every clip. If your tool supports a seed, lock it."]],["li",{"index":4},["strong",{},["text",{},"Music:"]],["text",{}," Keep the clock‑tick THUD as a recurring motif across Clips 1, 3, 5, 6, 7 so the edit feels like one continuous countdown, then release it with the bells at 12:00."]],["li",{"index":5},["strong",{},["text",{},"Hindi speech:"]],["text",{}," If the generated voice mangles a line, regenerate just that clip with the dialogue in Devanagari, or mute and dub it in post — the expressions are written to carry the joke even silently."]]]]],[1,{}]]},"context":[],"isContentLoading":false,"role":"assistant","id":"Uh1rfOLBlNTXB375kGBuCpLWxqowy4SJ","gitRevision":{"baseSha":"8031b49a5f72df1006f6a58deb58dfae5c0f6e66","headSha":"8031b49a5f72df1006f6a58deb58dfae5c0f6e66","readyAt":"2026-09-03T15:47:54.827Z","version":1,"commitMessage":"Update from v0"},"streaming":false,"finishReason":"stop","parentId":"KiZkkkRagF6tjKbawAF5DXou5hkh8DTp","type":"message","creditCost":1.341406,"workMetrics":{"diffMap":{}},"createdAt":"$D2026-09-03T15:43:00.581Z","updatedAt":"$D2026-09-03T15:47:54.827Z"},{"content":{"type":"parts","parts":[{"type":"mdx","content":"KINDLY GIVE ALL CLIP PROMPTS UPDATED BY WRITING HINDI LANGUAGE FOR ALL THE DIALOGUES. DO NOT CHANGE ANYTHING ELSE."}],"version":1},"role":"user","id":"GfQuu5kALPcq58Uls1SCRrlic2Us6Qr1","attachments":[],"parentId":"Uh1rfOLBlNTXB375kGBuCpLWxqowy4SJ","type":"message","authorId":"QlhvzwErBoDTZfffjsmvFPyb","createdAt":"$D2026-09-03T15:55:39.272Z"},{"v0ModelId":"anthropic/claude-fable-5.1","content":{"type":"message-binary-format","value":[[0,[["AssistantMessageContentPart",{"part":{"createdAt":1788450947746,"finishedAt":1788450970118,"lastPartSentAt":1788450970118,"taskNameActive":null,"id":"eujvhCXnxISRxcqQ","type":"task-thinking-v1","parts":[{"type":"thinking-end","duration":22,"thought":"$11d"}]}}],["p",{},["text",{},"Here are all 9 clip prompts with every dialogue line rewritten in Hindi (Devanagari). Everything else — timings, attachments, camera, audio, constraints — is unchanged."]],["hr"],["h3",{},["text",{},"CLIP 1 — THE HOOK | 6 sec | 0:00–0:06"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Element 2 (Clock), Character 2 (Aarav), Element 1 (Kitchen)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$11e"],["hr"],["h3",{},["text",{},"CLIP 2 — THE REVEAL | 6 sec | 0:06–0:12"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Element 1 (Kitchen)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$11f"],["hr"],["h3",{},["text",{},"CLIP 3 — STEP 1: DHANIYA ROAST + GRIND | 8 sec | 0:12–0:20"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Character 3 (Cat)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$120"],["hr"],["h3",{},["text",{},"CLIP 4 — STEP 2: GHEE + NUTS (THE HEIST) | 8 sec | 0:20–0:28"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 3 (Cat), Element 3 (Ingredients)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$121"],["hr"],["h3",{},["text",{},"CLIP 5 — STEP 3: COCONUT + DHANIYA POWDER | 6 sec | 0:28–0:34"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Element 2 (Clock)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$122"],["hr"],["h3",{},["text",{},"CLIP 6 — STEP 4: BURA + ELAICHI | 6 sec | 0:34–0:40"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Element 3 (Ingredients)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$123"],["hr"],["h3",{},["text",{},"CLIP 7 — THE CLIMAX: MIDNIGHT RUN | 8 sec | 0:40–0:48"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 2 (Aarav), Character 3 (Cat), Element 4 (Finished Panjiri)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$124"],["hr"],["h3",{},["text",{},"CLIP 8 — THE PUNCHLINE | 6 sec | 0:48–0:54"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Character 3 (Cat)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$125"],["hr"],["h3",{},["text",{},"CLIP 9 — OUTRO / CTA | 4 sec | 0:54–0:58"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Element 4 (Finished Panjiri), Character 1 (Dadi)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"Vertical 9:16, cinematic 8K IMAX photorealistic film look, 24fps, shallow depth of field, fine film grain. Slow push-in on a polished brass bowl heaped with golden-brown dhaniya panjiri - visible roasted makhana, cashew halves, coconut flakes, slivered almonds and a fresh tulsi leaf - on a brass thali in front of a Laddu Gopal jhula, diya glowing, marigolds softly out of focus. Dadi (70, silver bun, steel-rimmed spectacles, white saree with maroon-gold border) leans into frame from the side, looks straight into camera with a faint smirk and says in Hindi: \"रेसिपी सेव करो। अगले साल 11:50 पे मत उठना।\" She gives a tiny wink.\n\nAudio: devotional flute resolving to a warm final note with a soft temple bell. Natural Hindi lip-sync. One old woman only, no duplicates, no text, no captions, no subtitles, no watermark, no logo."],["hr"],["p",{},["text",{},"All dialogue is now in Devanagari so the model reads the exact pronunciation and lip-sync target; the character/element reference prompts from before remain unchanged and should still be attached as listed above each clip."]]]],[1,{}]]},"context":[],"isContentLoading":false,"role":"assistant","id":"31RgYjbhUsiLOtGI9rNCg3Um7cO7rOsR","gitRevision":{"baseSha":"8031b49a5f72df1006f6a58deb58dfae5c0f6e66","headSha":"8031b49a5f72df1006f6a58deb58dfae5c0f6e66","readyAt":"2026-09-03T15:57:07.615Z","version":1,"commitMessage":"Update from v0"},"streaming":false,"finishReason":"stop","parentId":"GfQuu5kALPcq58Uls1SCRrlic2Us6Qr1","type":"message","creditCost":0.7788185,"workMetrics":{"diffMap":{}},"createdAt":"$D2026-09-03T15:55:39.273Z","updatedAt":"$D2026-09-03T15:57:07.615Z"},{"content":{"type":"parts","parts":[{"type":"mdx","content":"GIVE ALL PROMPTS UPDATED WITH TIMESTAMP AS GOOGLE OMNI 1.1 FLASH IS SKIPPING PARTIAL DIALOGUES. \nTHERE SHOULD BE PROPER TIME FOR DIALOGUE COMPLETION.\nYOU MAY ADJUST THE LENGTH OF EACH CLIP IF U WANT.\nJUST REMEMBER NOT TO GO BEYOND 60 SECONDS.\nNO COMPROMISE ON VIDEO QUALITY!"}],"version":1},"role":"user","id":"AjefhqMD19VC9FtiUMohedI4QCyv3OZX","attachments":[],"parentId":"31RgYjbhUsiLOtGI9rNCg3Um7cO7rOsR","type":"message","authorId":"QlhvzwErBoDTZfffjsmvFPyb","createdAt":"$D2026-09-03T16:03:12.706Z"},{"v0ModelId":"anthropic/claude-fable-5.1","content":{"type":"message-binary-format","value":[[0,[["AssistantMessageContentPart",{"part":{"createdAt":1788451402541,"finishedAt":1788451713704,"lastPartSentAt":1788451713704,"taskNameActive":null,"id":"3wZAjmRFsmReo8sf","type":"task-thinking-v1","parts":[{"type":"thinking-end","duration":311,"thought":"$126"}]}}],["p",{},["text",{},"Here are all clip prompts rebuilt with hard timestamps for every beat and every dialogue line. To give each line real breathing room and still stay within 60 seconds, I restructured to "],["strong",{},["text",{},"7 clips = 60.0s exactly"]],["text",{},": Step 3 and Step 4 are merged into one clip, the outro CTA is folded into the final clip, four long Dadi lines are trimmed to their essentials, and the \"बेहोश/दोनों\" exchange plus the \"कुरकुरा\" tip move to on-screen text (see notes at the end). Character/element reference prompts from Part 1 and Part 2 are unchanged — reuse the same images."]],["hr"],["h3",{},["text",{},"CLIP 1 — THE HOOK | 8 sec | 0:00–0:08"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Element 2 (Clock), Character 2 (Aarav), Element 1 (Kitchen)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$127"],["hr"],["h3",{},["text",{},"CLIP 2 — THE REVEAL | 8 sec | 0:08–0:16"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Element 1 (Kitchen)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$128"],["hr"],["h3",{},["text",{},"CLIP 3 — STEP 1: DHANIYA ROAST + GRIND | 10 sec | 0:16–0:26"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Character 3 (Cat)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$129"],["hr"],["h3",{},["text",{},"CLIP 4 — STEP 2: GHEE + NUTS (THE HEIST) | 8 sec | 0:26–0:34"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 3 (Cat), Element 3 (Ingredients)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$12a"],["hr"],["h3",{},["text",{},"CLIP 5 — STEP 3 + 4: COCONUT, DHANIYA POWDER, BURA + ELAICHI | 8 sec | 0:34–0:42"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Element 3 (Ingredients)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$12b"],["hr"],["h3",{},["text",{},"CLIP 6 — THE CLIMAX: MIDNIGHT RUN | 8 sec | 0:42–0:50"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 2 (Aarav), Character 3 (Cat), Element 4 (Finished Panjiri)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$12c"],["hr"],["h3",{},["text",{},"CLIP 7 — THE PUNCHLINE + CTA | 10 sec | 0:50–1:00"]],["p",{},["strong",{},["text",{},"Attach:"]],["text",{}," Character 1 (Dadi), Character 2 (Aarav), Character 3 (Cat)"]],["Codeblock",{"lang":"plaintext","meta":{},"closed":true},"$12d"],["hr"],["h2",{},["text",{},"ASSEMBLY NOTES"]],["ul",{"start":1},["li",{"index":1},["strong",{},["text",{},"Timing:"]],["text",{}," 8+8+10+8+8+8+10 = "],["strong",{},["text",{},"60.0s"]],["text",{},". If you need a strict sub-60 file, trim the final 0.5–1s hold of Clip 7 in your editor."]],["li",{"index":2},["strong",{},["text",{},"Dialogue pacing:"]],["text",{}," every line is timed at roughly 5 Hindi syllables per second with 20–30% slack, and each window is exclusive (no two lines overlap), which is what stops the model from dropping partial lines. If a line still clips, regenerate only that clip and widen its window by 0.5s at the expense of the adjacent \"No dialogue\" beat."]],["li",{"index":3},["strong",{},["text",{},"On-screen text (add in edit, not in generation):"]],["text",{}," Clip 3: "],["em",{},["text",{},"\"Step 1 · Dry-roast whole coriander 2 min, low flame → grind fine\""]],["text",{}," · Clip 4: "],["em",{},["text",{},"\"Step 2 · Desi ghee → kaju, badaam, makhana, magaz till golden (makhana must be crisp)\""]],["text",{}," · Clip 5: "],["em",{},["text",{},"\"Step 3 · Dry coconut + coriander powder, 2 min · Step 4 · Flame OFF → bura or powdered sugar + elaichi\""]],["text",{}," · Clip 7 (on the wink): "],["em",{},["text",{},"\"Agle saal 11:50 pe mat uthna.\""]]],["li",{"index":4},["strong",{},["text",{},"What changed vs. the previous version:"]],["text",{}," Steps 3 and 4 merged into one clip; the 4s outro folded into Clip 7 as a spoken CTA; Dadi's four recipe lines shortened so they complete inside their windows; the \"बेहोश/दोनों\" exchange and the \"मखाना कुरकुरा\" tip removed from speech (covered by on-screen text). 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